• Rooty@lemmy.world
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    1 month ago

    Companies are free to pump as much money into slop pipelines, and I am also free to ignore and block their shit wherever I can. In fact, this only gives me an incentive to support live venues and local performers.

  • SkunkWorkz@lemmy.world
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    1 month ago

    All genres are infested with AI generated slop. This is not a race thing or whatever he’s claiming. Did he forget that a couple of months ago the ai rock band Velvet Sundown with fake white dudes was all over the news. Or does it only matter to him when it affects black artists?

    • glimse@lemmy.world
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      1 month ago

      You posted this while I was typing a reply and it’s funny how similar our comments are lol

    • andyburke@fedia.io
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      1 month ago

      Not sure, but you didn’t use this moment to frame this as more people joining the fight. Instead it sounds petty. 🤷‍♂️

      AI slop sucks. The more people thar realize that, the better. Humans are fallible, but I will take them realizing there’s a problem once they see it.

    • Auth@lemmy.world
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      1 month ago

      does it only matter to him when it affects black artists

      Yes they’re racist

    • GuerillaGorillas@lemmy.world
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      1 month ago

      That’s the thing, I struggle to call it their music and not the AI’s. I’ve messed with Suno and there’s not really much support for tweaking the output to your tastes. If all you’re doing is feeding a prompt and maybe some lyrics to an AI and picking out the best generation I don’t see any difference from a commission and trying to claim you’re the creator.

      Now if there was more support for self-expression like img2img and ControlNet with images in the form of isolated stems/instrumentation that follows a given chord progression/mixing I’d say there’s more of a sense of ownership, but as-is there’s not much you can do after the output is made that someone else couldn’t do with the same prompt+model+seed.

  • Phoenixz@lemmy.ca
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    1 month ago

    AI generated artist

    No

    It’s not an artist, it’s a computer program. More to the point, it’s a distance measuring type database whose input was the hard work, sweat and tears from real human beings and whose output is a mix of that but lower quality

    There is nothing new, nothing inspiring, nothing renewing, it’s just as if they took all historical songs and tusees them in a blender and still filtered out the best bits that were left.

    There is no singer that can awe you with her extreme vocal range, there is nothing that can touch you on your heart. This is pure ones and zeroes at work, all directed by some asshole who used some mathematical algorithms to figure out what sounds should be combined to make as much money as possible.

    That is the crux of it: real artists work hard and mostly starve whilst giving you something from the heart. Managers and record companies would then make money off that (and keep most of it anyway). Now it’s just the money makers and they can tune everything just to be the perfect money printer machine.

    Over time, expect much, MUCH more of this and yes, real artists will likely mostly disappear because as always, a small group of people like us will protest this and reject it, but the big masses will just lap it up anyways

  • vithigar@lemmy.ca
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    1 month ago

    Wtf does “number one most added at a US radio format” mean? It seems completely nonsensical.

  • SaraTonin@lemmy.world
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    1 month ago

    The first AI band that I was aware of was The Velvet Sundown, which made the news for doing well on Spotify before people realised that they weren‘t real. They‘re very MOR AOR type stuff, at least from what I‘ve heard.

  • 4am@lemmy.zip
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    1 month ago

    It’s not lost on me that they gave her the surname of “Monet” to muddy the waters around Janelle Monet, an R&B artist so deserving that even I know her name

  • wheezy@lemmy.ml
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    1 month ago

    Ok I’m gonna sound like a conservative. But holy shit the pronouns. No. The only pronoun AI gets is “it”. You don’t start calling these things he/her. Nope nope nope.

    • BillBurBaggins@lemmy.world
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      1 month ago

      That’s a bit like saying a drawing of a fictional woman is also an it. But it’s not, it’s a representation of a woman so it’s a she.

      Just because you don’t like ai doesn’t mean you get to change how language works. Weaponising language sounds like straight out of the transphobe playbook

      • morphballganon@mtgzone.com
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        1 month ago

        Calling the depiction of a woman in the image a she is fine. The image is clearly depicting a woman.

        Saying “she earned” in regard to knuckleheads clicking on an AI audio collection is incorrect in two ways: the audio files did not come from a she, and there was no earning involved. An audio LLM is unrelated to a depiction of a woman in an image, and cannot earn anything.

        • BillBurBaggins@lemmy.world
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          1 month ago

          Maybe, but I think it’s still pretty grey this thread is clouded by people’s opinions about AI rather than what’s the best way to communicate about something.

          “<The cartoon character> was great last season. She really won people’s hearts”

  • glimse@lemmy.world
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    1 month ago

    Not even close to the first Suno-generated “artist” to do well on streaming and this one was generated by a black woman so I’m not sure what it has to do with the industry being racist

    Good example of someone who wasn’t paying attention to an issue until it affected them

    • Miles O'Brien@startrek.website
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      1 month ago

      Good example of someone who wasn’t paying attention to an issue until it affected them

      “you’re just being alarmist and hyperbolic, that would never happen” -Nearly everyone around me, for the last decade or so

      • glimse@lemmy.world
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        1 month ago

        First they came for AI country music, but I did not speak out because I was not a country fan

        • msage@programming.dev
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          1 month ago

          I did not speak out cause it all sounds the same?

          There are many genres that have been mostly the same shit all over again for decades.

          • burntbacon@discuss.tchncs.de
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            1 month ago

            I think it was by rigid adherence to what producers/record companies were demanding. If I ever hear another snap-snap-clap backing, it will be too soon.